Kristen Bell Says Don't Give Up Hope On A 'Veronica Mars' Movie

chrisharnick:

huffposttv:

I told Kristen Bell I would be remiss if I didn’t talk about “Veronica Mars.”

“Do it, do it!,” she chanted.

Her message to the fans: “Don’t lose hope,” Bell said. “That’s all I can say. Do not lose hope.”

More on the “Veronica Mars” movie here.

Is this real life? Yes it is! A portion of my chat with Kristen Bell!

(via popculturebrain)

So... was LiLo ever NOT naked?

Why is she famous? Why am I still talking about her? We (myself included) should be far past rooting for a comeback. Sigh. Interesting to see how engineered these moves are.

Rock of Ages with the Cast of Valentine's Day?

All the star power is… blinding… I’m not sure how this makes me feel. To be fair, I trust the choreography and overall vision of Adam Shankman (SYTYCD, Hairspray etc.) but the cheese-factor is soooo high. Perhaps Baldwin/Brand will keep it real.

However, seeing Tom Cruise in a musical? LEGENDARY. YOU KNOW he’ll bring it.

‘How I Met Your Mother’ EP Carter Bays on the show’s least funny — and incredibly important — moment | EW

popculturebrain:

By: Carter Bays

The moment Marshall (Jason Segel) found out his father died was the hardest scene we’ve ever done. The show had gone to sad places before, but they were all kind of “romantic comedy” sad —break-ups,rejections, a runaway bride,that sort of stuff. You always figured whatever life threw at these characters,they’d get over it and go back to being funny the next week. That was the point of having Ted narrate from the future. If our show had a message,it was,“No matter how bad it seems now,you’ll be laughing about it 20 years from now.”

But this was different. This was irrevocable,shocking,and painful on a level that’s not funny no matter how much time has passed. And what’s more,it was happening at the end of an episode,on a night of comedy. We imagined the worst moment of Marshall’s life,interrupted by bright perky graphics and an announcer’s voice blurting: “Comin’ up on Rules of Engagement,Russell learns to breakdance!”

When it came time to perform the scene,Jason wanted to feel Marshall’s shock as palpably as possible,so he chose not to read Lily’s dialogue beforehand. All he knew was the last word of Lily’s line: “it.”

The first part of the scene involved a number of moving parts that had to be just right on a technical level: Marshall steps out of the bar,a cab pulls up in front of him,Lily gets out and gives him the news. The first four or five times we did it,the cab overshot its mark,ending up out of frame. Poor Alyson kept steeling herself to get out of that cab and deliver the most devastating line of the series,only to hear the Assistant Director yell “cut,” sending the cab lunging back to its original mark. It was a little extra torture in an already torturous moment.

Then we got one where the cab landed in the right spot. The moment Alyson stepped out,and she and Jason saw each other,it sort of made you marvel at what they’d spent five and a half years building together. Later in the season,when Lily would get to give Marshall the best news of his life by saying she’s pregnant,Jason brought Alyson flowers at the table read.

As the last words of Lily’s line —“he didn’t make it” —left Alyson’s mouth,I had to look away,as did our director Pamela Fryman. It’s our job to watch what happens,but in this case,what Jason and Alyson were going through was so unbearably real…we just had to trust that when we got back to the edit room it would all be in focus. (It was.)

The last line in the scene was something Jason came up with in the moment. He said,“I’m not ready for this.” None of us were.

ruinedchildhood:

childhood ruined.

 PROPS. DAMN. Big Bird AND the Grouch???! Character acting at it’s finest. How ambitious! Makes me want to view this.

ruinedchildhood:

childhood ruined.

 PROPS. DAMN. Big Bird AND the Grouch???! Character acting at it’s finest. How ambitious! Makes me want to view this.

(Source: worstlaidplans)

Wedding Blog: The 5 Yr Engagement/Starring Jason Segel and Emily Blunt

Jason Segel is a God among men. Most projects that he is attached to are bound to be worthy. Props to the studio for putting such effort into this psuedo-wedding blog!

Golden Globe Noms

While not always an indicator in the Race to the Oscars (GG’s are known to be a bit more liberal with comedic/musical side of film) it is still good to see that some unknows/long shots are getting attention for roles that don’t guarantee Oscar/Emmy coverage. Also, golf clap for the legendary Miss Jessica Lange!

Official: Chris Meloni Joins 'True Blood' as Series Regular | TV Line

I think I prefer Meloni angsty and shooting children but we’ll give this a chance. Creatively speaking, could he have picked a more different network/show? It’s the mid-life crisis of career changes. Guess all those years of angry glaring finally got to our boy.

(Source: popculturebrain)

Reasons American Idol Just Needs to Crawl in a Hole Already

  • The manufactured-ness of it all. Is anyone surprised by who wins anymore? Even the voting scandals (looking at you Ruben Studdard) seem planned. I know reality television, as a medium, will never be immune to this, but at least shows like The Voice have heart and you genuinely feel as if the judges care about the contestant… not their own performance.
  • The embarassment factor… I cannot stand that people are flagged as continuing for “talent” or for “entertainment”. Yes, some of these people ask for it and I am sure sign 100 page releases, but what does it say about viewers who enjoy this schadenfreude? Real talk.
  • Isn’t it about the judges… really? I saw more news articles concerning the departure of Paula Abdul than any of the contestants. Plus, it seemed like the addition of J. Lo (and those Fiat commercials… lord) and Steven Tyler were to appeal to a different generation of viewers.
  • The promise/delivery of shows like X Factor and The Voice seem to acknowledge the weaknesses Fox Networks main money maker refuses to. One of my favorite moments of 2011? When Adam Levine called Fox Network out for allegedly encouraging Adam Lambert, an openly gay performer, to stay in the closet.
  • Failure to create what it promises… Carrie Underwood and Kelly Clarkson are the only superstars to come out of this machine. And if you ask me? Clarkson is the only one with stage presence.

Oscar Talk

Movies that must be seen before February 26th 2012 in order to effectively predict and enjoy the Academy Awards (hosted by my main man, Billy Crystal!) This is a check list for personal use, as well as a compilation of recommendations based on Critics Circles and Reviews.

Billy Crystal gif

  1. My Week With Marilyn (Michelle Williams, critical darling and character actress might finally get the Oscar she so deserved for Brokeback Mountain)
  2. Moneyball (Typically, sports movies don’t go very far with the Academy. Pitt has better chances with Tree of Life)
  3. The Descendants (Getting to see the normally charming Clooney act like a schlub? Priceless. Can’t wait to see this one.)
  4. The Artist
  5. Hugo
  6. Melancholia (Kirsten Dunst recieved top awards at Cannes)
  7. Young Adult (Charlize Theron + Diablo Cody? An unlikely pairing for sure, but the supporting cast has also recieved attention for their performances)
  8. Martha Marcy May Marlene (Elizabeth Olsen is about to BLOW UP Y’ALL)
  9. Drive (Gosling.)
  10. Tree of Life (Malick, Chastain, Pitt. All that needs to be said)
  11. The Debt (Chastain)
  12. The Help (Audience favorite with strong ensemble performance)
  13. Ides of March (Not the year of the Dragon. The year of Gosling.)
  14. Midnight in Paris (Does anyone else think Woody Allen gets nominations out of guilt?)

The Long Shots: AKA Too Graphic or Not Likely to be in the Academy’s Taste, But Still Worth Checking out

  1. Girl with the Dragon Tattoo (Fincher’s passion and ferocity is perfect for dark projects. I, personally, and I know I am the only person in the world who feels this way, am still darkly bitter over his loss for Benjamin Button. He took what could have been a cartoonish story and made it a romantic masterpiece as well as a commentary on aging and what it actually means to live. He is about as epic as the run on sentence I just finished.)
  2. Bridesmaids (Does this have to be explained? Kristen Wiig, Molly McCarthy. Got it)
  3. Harry Potter and the Deathly Hallows Part II (I am exhausted just from typing it, but it was well done)
  4. 50/50 (Critical darling, but not QUITE a box office hit)
  5. Shame (Fassbender has had quite the year, but which role will he recieve the most attention for?